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  • What makes you a heretic? Journalist Andrew Gold believes that, in an age of group-think and tribes, we need heretics - those who use unconventional wisdom to speak out against their own groups, from cancelled comedians and radical feminists to cult defectors and vigilantes hunting deviants.

    Learn from my guests how to rebel, think differently and resist social contagion. From Triggernometry's Francis Foster and the world's most cancelled man Graham Linehan to ex-Hasidic Jew Julia Haart and gender critical atheist Richard Dawkins. These are the people living with the weight of their own community's disappointment on their shoulders.

  • Poplegendes in de Polder verzamelt de mooiste Nederlandse avonturen van grote internationale muziekhelden. Wat hebben artiesten als The Rolling Stones, U2, Queen en Pink Floyd allemaal meegemaakt in ons land? Met behulp van uniek archiefmateriaal, concertopnamen, en oude en nieuwe interviews met betrokkenen wordt het verhaal verteld van deze bijzondere bezoeken.

    In seizoen 1 staan de Nederlandse belevenissen van The Beatles centraal. In juni 1964 zijn ze voor de eerste en enige keer in ons land. Maar hoe verloopt hun verblijf hier nou écht? En welke verhalen zijn er te vertellen over de solo-bezoekjes van John, Paul, George en Ringo aan Nederland? Gemaakt door Beatles-kenners Jan-Cees ter Brugge, Michiel Tjepkema en Wibo Dijksma.


  • In De Foutcast staat 'foute muziek' in de breedste zin van het woord centraal. Marvin Hop, Arie Meijer en Stan Oosterhuis bespreken elke aflevering vijf bijzondere muziekpareltjes uit de diepe krochten van de wereldwijde muziekgeschiedenis.

  • Jerry Garcia, born Jerome John Garcia on August 1, 1942, in San Francisco, California, was a legendary American musician, songwriter, and artist best known as the lead guitarist and vocalist of the Grateful Dead. His influence on the world of music, particularly in the realm of psychedelic rock and improvisational jam bands, is immeasurable, and his legacy continues to inspire musicians and music lovers worldwide.
    Early Life and Family Background
    Jerry Garcia was born to Jose Ramon "Joe" Garcia and Ruth Marie "Bobbie" Garcia. His father, a Spanish immigrant, worked as a jazz clarinetist and Dixieland band leader, while his mother was of Irish and Swedish descent. Jerry's early exposure to music came from his father, who named him after his favorite Broadway composer, Jerome Kern.
    Tragically, Joe Garcia died in a fishing accident when Jerry was only five years old. This event had a profound impact on young Jerry and his family. His mother, Ruth, took on the responsibility of raising Jerry and his older brother, Tiff, as a single parent. She worked long hours as a nurse to support the family, instilling in her sons a strong work ethic and a sense of resilience in the face of adversity.
    Discovering Music and Early Influences
    As a child, Garcia was drawn to music and visual arts. He began playing the piano at a young age and later picked up the guitar, which would become his signature instrument. Garcia's musical influences were diverse, ranging from folk and bluegrass to rock and roll and jazz. He was particularly inspired by the likes of Chuck Berry, Bill Monroe, and Miles Davis, among others.
    In his teenage years, Garcia attended Balboa High School in San Francisco, where he struggled academically but excelled in the arts. He formed his first band, The Chords, during this time and began performing at local venues. Although he dropped out of high school in 1960, Garcia's passion for music only grew stronger, and he continued to hone his skills as a guitarist and songwriter.
    Formation of the Grateful Dead
    In 1965, Garcia co-founded the Grateful Dead with Bob Weir, Ron "Pigpen" McKernan, Phil Lesh, and Bill Kreutzmann. The band's name was inspired by a dictionary entry for "the soul of a dead person, or his angel, showing gratitude to someone who, as an act of charity, arranged their burial." The Grateful Dead quickly gained a following in the San Francisco Bay Area, known for their extended improvisational jams and eclectic blend of musical genres, including rock, folk, bluegrass, blues, reggae, country, jazz, psychedelia, and space rock.
    As the lead guitarist and one of the primary songwriters, Garcia was the driving creative force behind the Grateful Dead. His unique guitar style, characterized by fluid improvisations and seamless transitions between genres, became the band's signature sound. Garcia's vocals, often described as soulful and emotive, added depth and character to the band's lyrics, which touched on themes of love, loss, freedom, and spirituality.
    Rise to Fame and Cultural Impact
    Throughout the late 1960s and early 1970s, the Grateful Dead's popularity continued to grow, fueled by their relentless touring schedule and dedicated fan base, known as "Deadheads." The band's live performances became legendary, with Garcia's improvisational skills and the band's collective chemistry creating a unique, immersive experience for their audiences.
    The Grateful Dead's influence extended beyond music, as they became cultural icons and symbols of the counterculture movement. Garcia, in particular, was seen as a figurehead of the psychedelic era, with his laid-back demeanor, philosophical musings, and commitment to artistic exploration resonating with fans seeking an alternative to mainstream society.
    Solo Projects and Collaborations
    While Garcia is best known for his work with the Grateful Dead, he was also involved in numerous solo projects and collaborations throughout his career. These side projects allowed him to explore different musical styles and work with a diverse range of artists.
    One of Garcia's most notable collaborations was with the Jerry Garcia Band, which he formed in 1975. The band served as an outlet for Garcia to pursue his love of R&B, soul, and Motown music, and featured a rotating lineup of talented musicians. The Jerry Garcia Band released several albums and toured extensively, often performing during breaks in the Grateful Dead's schedule.
    Garcia also collaborated with mandolinist David Grisman, with whom he shared a deep love for traditional bluegrass and folk music. The duo released several albums together, including "Garcia/Grisman" (1991) and "Not For Kids Only" (1993), which showcased their intricate musicianship and unique interpretations of classic songs.
    Other notable collaborations included his work with the New Riders of the Purple Sage, Old & In the Way, and Legion of Mary, among others. These projects demonstrated Garcia's versatility as a musician and his willingness to explore new creative avenues.
    Personal Life and Struggles
    Despite his musical success, Garcia's personal life was marked by a series of challenges and struggles. He battled drug addiction throughout his adult life, particularly with heroin and cocaine, which took a toll on his health and relationships. Garcia was also a heavy smoker, which contributed to his ongoing respiratory issues.
    Garcia was married three times and had four daughters: Heather, Annabelle, Trixie, and Keelin. His relationships were often strained by his drug use and the demands of his music career, which required extensive touring and time away from his family.
    In addition to his substance abuse issues, Garcia struggled with his weight and diabetes, which further compromised his health. Despite attempts to manage his condition through diet and exercise, Garcia's health continued to decline in his later years.
    Later Years and Legacy
    In the 1980s and early 1990s, the Grateful Dead's popularity reached new heights, with the band playing sold-out stadium shows and attracting a new generation of fans. However, this period also marked a decline in Garcia's health, as his drug use and physical ailments began to take a more significant toll.
    On August 9, 1995, Jerry Garcia passed away at the age of 53 due to a heart attack at a rehabilitation clinic in Forest Knolls, California. His death sent shockwaves through the music community and left an immeasurable void in the lives of his fans, friends, and family.
    In the wake of his passing, Garcia's legacy as a musician, artist, and cultural icon has only grown stronger. The Grateful Dead's music continues to be celebrated and performed by countless tribute bands and new generations of musicians inspired by their improvisational spirit and eclectic sound.
    Garcia's influence extends beyond the realm of music, as his artwork, which included drawings, paintings, and sketches, has been exhibited in galleries and museums worldwide. His visionary approach to creativity and his commitment to living life on his own terms have made him an enduring symbol of artistic integrity and personal freedom.
    The Grateful Dead's impact on popular culture is still felt today, with the band's iconography, including dancing bears, skeletons, and tie-dye designs, remaining instantly recognizable and beloved by fans. The band's commitment to live performances and their unique relationship with their audience set a new standard for rock music and paved the way for countless jam bands and improvisational artists who followed in their footsteps.
    Philanthropy and Social Activism
    Throughout his life, Garcia was known for his compassionate nature and his commitment to various charitable causes. He often used his platform to raise awareness about issues such as environmental conservation, social justice, and drug addiction recovery.
    One of the most notable examples of Garcia's philanthropic efforts was his involvement with the Rex Foundation, a non-profit organization founded by the Grateful Dead in 1983. The foundation, named after Rex Jackson, a friend and roadie of the band who passed away in 1976, was established to support various charitable causes, including environmental protection, social services, and the arts.
    Garcia and the Grateful Dead regularly performed benefit concerts and raised funds for the Rex Foundation, which has since donated millions of dollars to numerous organizations and initiatives. The foundation's work continues to this day, preserving Garcia's legacy of generosity and social responsibility.
    In addition to his work with the Rex Foundation, Garcia was also an advocate for drug addiction recovery and often spoke openly about his own struggles with substance abuse. He supported organizations such as the Haight Ashbury Free Clinic, which provided medical care and addiction treatment services to the community, and encouraged others to seek help and support in their own battles with addiction.
    Musical Style and Technique
    As a guitarist, Garcia was renowned for his unique playing style, which blended elements of rock, blues, jazz, and folk music. His approach to improvisation was deeply rooted in the moment, with a focus on listening and responding to his bandmates and the energy of the audience.
    Garcia's guitar tone was warm and expressive, often utilizing a combination of effects pedals, including the Mutron envelope filter and the Fuzz Face distortion pedal, to create his signature sound. He was known for his fluid, melodic solos and his ability to seamlessly transition between different musical genres and styles within a single improvisation.
    One of Garcia's most iconic instruments was his custom-made guitar, known as "Tiger," which was built by luthier Doug Irwin. The guitar, which featu

  • Uitgaan. Het is een simpele formule met ontelbaar veel uitkomsten. Vermenigvuldig de nacht met muziek (of iets anders) en drank (of iets anders), en reken maar dat het gelijk staat aan goede verhalen. 


    In Afteren verlenen Justin Verkijk en Nellie Benner alleen toegang op hun afterparty, aan gasten die bereid zijn dat ene legendarische verhaal te vertellen dat ze wรฉl hebben kunnen onthouden.


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  • Welcome to A Bit of Bliss! I create mixes of electronic music that make you dance and dream. I find that compelling organic sounds combined with deep, melodic house music establishes the perfect synergy in order for the music to be felt right in your soul.

    You can expect music from labels like Anjunadeep, Afterlife, Stil for Talent, Colorize, This Never Happened, Cercle, Spectrum Radio, Einmusika, Purified, Days Like Nights, Diynamic.

  • Componist en violist Tim Kliphuis maakt zich zorgen over het klimaat. Hoe kan hij als componist zijn bijdrage leveren om de wereld een stukje beter te maken? Vijf topwetenschappers gaan hem daarbij helpen: Katja Peijnenburg, Appy Sluijs, Ingrid Robeyns, Amina Helmi en Robbert Dijkgraaf. Elke aflevering speelt Tim live op zijn viool voor zijn gast op verschillende locaties, zoals een onderzoeksschip, in een tropische kas of in een sterrenwacht. Deze gesprekken leveren inspiratie op voor een muziektrack, die aan het einde van elke aflevering te horen is.

  • Welkom bij de KANE Reconnect Podcast, waar de bandleden en goede vrienden Dinand Woesthoff en Dennis van Leeuwen elkaar interviewen en diepgaande gesprekken voeren. Na 25 jaar samen muziek maken, de wereld rondreizen en talloze avonturen beleven, nemen ze je nu mee achter de schermen van hun bijzondere vriendschap en samenwerking.

  • In het “Dagboek Van Een Fangirl” luister je naar verhalen, discussies, meningen en gesprekken tussen twee fangirls. Fleur en Melanie nemen je elke zondag mee in hun kijk op dit leven. Want het is geen ‘obsessie’ maar een โœจlifestyleโœจ!

  • Heb je de behoefte om je gedachten te verzetten, uit te rusten en te reflecteren op de dag? Luister dan naar de nieuwste en meest relaxte klassieke muziek in Keihard Klassiek: De Mix. Van dinsdag tot en met vrijdag verschijnt er elke dag om 12:00 uur weer een nieuwe mix voor je dagelijkse portie ontspanning.

  • Music sounds better with you! Met dit motto viert TivoliVredenburg zijn tienjarig bestaan tussen 24 mei en 2 juni. Tien dagen lang vind je er een dwarsdoorsnede van wat het Utrechtse podium te bieden heeft: klassieke concerten, popshows, clubavonden, wetenschap en meer. Tijdens het jubileum lanceert TivoliVredenburg verschillende nieuwe festivals, waarin alles van Arabische muziek tot klassiek tot een queerparadijs extravaganza aan bod komt. In deze podcast bespreken we deze festivals, genres en nieuwe ontwikkelingen met verschillende gasten uit de muziekscene.

  • Positive Vibrations on KX FM is an hour-long exploration of neo-psychedelia from the 1980s until now, shining light on the bands and artists that pioneered psychedelic rock after its peak in the '60s. During this 60-minute journey into the heart of modern psychedelia, DJ Ian Ridsdale mixes elements of all branches of the genre, including the Paisley Underground of the '80s, '90s shoegazing, and all psych-inspired alternative and indie music since then. Broadcast live from Laguna Beach, California every week, Positive Vibrations is the perfect soundtrack to the counterculture of now.

    Listen live every Monday from 7-8 PM on KXFMRadio.org!

  • House & Techno duo with roots from Chicago & Detroit. For Bookings contact: [email protected]

  • Kika Sprangers, saxofonist, componist en liefhebber van jazzmuziek, presenteert de podcast serie 'Jazz Changers’ In deze nieuwe serie duikt Kika samen met met programmeur, jazzkenner en journalist Koen Graat dieper in de grote game changers van de jazz in de afgelopen decennia. Welke opmerkelijke invloeden, platen en artiesten hebben de jazz voorgoed veranderd en hebben geleid tot het huidige jazzlandschap?

    Luister naar alle nummers en veel meer in de Jazz Changers Playlist: https://open.spotify.com/playlist/7k2ub9snSA59SxmLGA3UrY?si=b282686b078d4fe8 (https://open.spotify.com/playlist/7k2ub9snSA59SxmLGA3UrY?si=b282686b078d4fe8)

  • Over de totstandkoming van een boekalbum dat in geluid en beeld een ode brengt aan de muziek van New Orleans . Bob Wijnen en Ellister van der Molen reisden november 2019 af naar New Orleans, de plek waar jazz ooit ontstaan is en nog steeds in alle gedaantes in de stad door blijft klinken.

    Surf voor meer NOLA nieuws, video's, concertdata en overige bandinformatie naar www.vibrrrant.com

  • As the product of a conservatoire, mental health was something that was barely discussed for fear of being seen as weak, incapable, vulnerable, unemployable - the list is endlessโ€ฆ

    I graduated nearly 13 years ago to the day and although conversations are much more open and honest and mental health is way more of a priority, we are still losing beautiful, talented and valuable people to varying mental health conditions.

    We need to take action: itโ€™s time to continue opening up those conversations.

    I have a number of interviews lined up from incredibly talented people across the industry but Iโ€™d love everyoneโ€™s input and involvement, so please like, share on your stories and follow the page to take part.

    Lets do our upmost to take care of this generation of musicians, whilst properly preparing the next.


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  • Yoooo Patjoo hier ,al ruim 20 jaar Allround Dj

    En als dj ontmoet je natuurlijk een hoop toffe Artiesten en collega’s , en daar bel ik er elke maand 1 van op!

    we praten over van alles, muziek, vrije tijd ,maar voor al over ons mooie vak.

    En dat alles, hoor je hier, in Patjoo’s Podgast

  • Terwijl er wekelijks treinwagons vanuit Kamp Westerbork naar de gaskamers in het Oosten rijden, vindt kampcommandant Gemmeker dat de gevangenen afleiding nodig hebben. Joodse artiesten en muzikanten mogen van hem - in ruil voor uitstel van deportatie - avonden vol cabaret organiseren. Maar dan, in juni 1944, schrijven en componeren deze Joodse gevangenen een echte opera, genaamd Ludmilla. Direct na de première verbiedt Gemmeker de opera en gaan de Joodse artiesten op transport.

     

    In de vierdelige podcast ‘Ludmilla’ ontdekt journalist Frank Kromer dat er meer achter Ludmilla schuilgaat dan gedacht. Met gewaagde verwijzingen als ‘rookpluimen in het Oosten,’ een oproep tot onderduik en een einde waarbij alle personages sterven, lijkt Ludmilla een muzikale daad van verzet tegen de nazi’s en tegen kampcommandant Gemmeker, die tijdens de première op de eerste rij zat. Moesten de Joodse artiesten hun daad bekopen met de dood?